Wednesday, November 28, 2007
Deadline: Dec 8, 2007
GAS small works juried show, Pougkeepsie.
You can find a prospectus on the gallery's website.
Deadline: Jan 15, 2008
WELCOME MURAL - BEACON, NY
The Beacon Arts Community Association (BACA) seeks proposals for wall art to serve as a
Welcome Gateway to Beacon’s Main Street to be sited on the side of a highly visible building located at the corner of Main Street and Route 9D.
The wall art will be located on the brick wall directly above the outdoor terrace of the Muddy Cup Coffeehouse, 129 Main Street. The wall art will be created as a digital print on vinyl from an image provided by the selected artist. It will be mounted on the wall for at least one year and no longer than 3. The final dimensions of the wall art will be 16 feet wide x 26 feet high. The selected wall art will be installed by art installers working for BACA.
Mural project details can be found at BACA's website.
Sunday, November 25, 2007
Marc Straus, author of three books of poetry, is a distinguished medical oncologist, art curator and award-winning poet whose literary work has been performed in venues throughout the country. The poems in his latest book Not God -A Play in Verse document one woman's encounter with cancer, a journey through illness whose end, while inevitable, is also unknown. Alternating with the words of her doctor, these poems form a remarkable dialogue of the flesh becoming word, and of the body inventorying --and finally transcending- its limitations. His poems peer into the soul, grasping the hearts of the audience. Straus brings vision to his profession through powerfully reflective themes, revealing the hopes, fears, victories, and defeats in the face of devastating chronic disease.
The reading is scheduled for Dec. 1 at 8pm. The Depot Theatre is located at Garrison Landing, Lower Station Road, Garrison New York.
For information and directions, call 845 424 3900 or log onto www.philipstowndepottheatre.org or e-mail email@example.com
Ticket prices are: $15.00 adults: $12.00 Students
Tuesday, November 20, 2007
Saturday, November 17, 2007
Participating Artists are:
Sukran Aziz, Karen Dolmanisth,Kirtland Snyder, Matt Slaats, and Fuat Yalin.
The opening will be happening today from 4-8pm. The exhibit runs through December 23.
358 MAIN STREET POUGHKEEPSIE NY 12601 TEL/ FAX: 845-473-1181 firstname.lastname@example.org
Thursday, November 15, 2007
In other Dia related goings on, The NY Sun reports on the Dia Foundation's recent Gala and talk of the foundation's approaching some form of permanent home in the NYC.
Tuesday, November 13, 2007
Also, you can find images from Angelika's exhibit opening in Syracuse last Thursday on her blog.
And I have posted images from my exhibit with Marc Willhite in Colorado, which opened the Saturday before last, on my blog.
Friday, November 09, 2007
Kathy's latest paintings will be on view at VanBrunt Gallery along with the work of Ilse Schreiber-Noll and Valerie Bogdan. The opening reception will take place tomorrow from 6-9pm.
Thursday, November 08, 2007
Opening this week @ Fovea Exhibitions Beacon Gallery, Ziyah Gafic, "Love Thy Neighbor: Bosnian Diaries." There will be a reception, Nov 10 from 4-8pm.
@ Go North: Celeste Fichter, "Northern Light" Reception from 6-9pm.
@ Vanbrunt Gallery: Well, I know Kathy Feighery will be showing at VanBrunt, but I'm not sure who else will be there, so consider it something to look forward to-like easter.
@ Open Space: "Feeling it Out," work by Andy Rementer, Alex Purdy, Mike Perry and Garrett Morin.
@ bau: I believe Franc Palia will be showing work this month.
@ RiverWinds, the Holiday Group Show
Although I'm sure more is going on, that's about all the info I have at the moment from my current remote location.
Don't forget, The Next Step After Party at the Piggy Bank @ 10pm with Paul Nice and El Jef(f)e.
Sunday, November 04, 2007
I believe there are five separate exhibits at the Museum right now.
On the first floor, Marti Cormand's work consists of highly photo realistic works of rugged, remote landscapes rendered in oil or watercolor, many with monochromatic scenes highlighted with the components of a highly colored, fantastical infrastructure. My favorite works were the black and white watercolor pieces with the additions of these cartoon structures. The larger oils had less substance and seemed to exist more for the demonstration of technical prowess than any other purpose, and another series of oil on paper pieces, though wonderfully rendered began to feel gimmicky.
As I walked into in the gallery of James Prosek's exhibit "Life and Death-A Visual Taxonomy," something struck a note of familiarity within me. Later, I recalled having read and clipped out an Inc. magazine article from 1999 about a brand and mini-merchandising industry being created around a precocious 23 year old angler and illustrator. That brand in the making was James Prosek.
This current exhibit follows the meme of the naturalist as artist, a la James Audubon. This exhibit is very much like a contemporized Audubon redux, except, I don't see anything being either added to the vernacular or exploiting it for conceptual purposes as others have done . I don't mean to take anything away from him, but to equate the addition of decorative, colored contour lines emanating from the extremities of Prosek's illustrated birds with "his increasing conceptual approach to his work" is a stretch. These colored arcs of 'conceptualism' feel more akin to what I'd expect to find on a throw pillow on the Golden Girls' sofa. The truly engrossing part of this exhibit is the collection of taxidermied birds laid out on either their backs and bellies on small platforms floating about three or four feet off the ground. The elegance and sensitivity conveyed by these specimens in the manner in which they've been prepared, by the artist himself, could almost stand alone as an exhibit - minus the clever arcs of red decorating the platforms on which they sit. The exhibition literature invokes the names of Mark Dion and Alexis Rockman as Shazia Sikhander and Nusra Latif Qureshi as sharing qualities with Prosek's work. But Prosek is not Mark Dion, and framing his work in such terms feels as if Martha Stewart were allowed to claim jump on Andrea Zittel's territory.
Next was Charlotte's show, "A Insufficiency in our screens," and by far, it's the one I enjoyed most. I know I sound like a major hometown booster, but that is my assessment. I enjoy her work, although there is so much imagery blending together that it's really hard to digest in one short sitting, and with so many pieces together, it's a lot to take in. But the show is installed well, the pieces work well on the rust colored walls, which we learned from Charlotte's' husband is the color in their bedroom(sort or an insider's tip.) I was pleased to see the added element of applying her drawing to bent and folded paper. I'm intrigued by the quality it brings to the work. It's the physical manifestation to what she's been creating pictorially for some time; bending moment and reality in and out of view. I find the spacial dimension really appealing, and I see exciting possibilities with this direction of the work.
Outside the museum is a piece by Michael Somoroff called "Illumination". It looks like a miniature iceberg/band shell. The sculpture, which when seen from inside the museum where it is viewed from the rear(I think) portends an ominous, but graceful discovery around its bend. However, walking around the piece was utterly disappointing, and it took on the semblance of a piece of playground equipment lacking the fun. I don't intend to be overly cheeky, but as I'm writing this, I'm thinking of the Lyle Lovett Lyrics:
Now I crept up from behind her/She looked so fine to me/But when I stepped around her man/My eyes could plainly see/She was ugly from the front/She was ugly from the front/...And I said ugly-ugly-ugly-ugly-ugly.....Of course, let's remember, lest the critic gets to be too big in own heady sense of self, the song reminds him: "But you ugly too."
The effectiveness of the piece is enhanced by the accompanying literature that explains that the form is basically a physical manifestation of a volume of illumination as light enters through the window of a virtually created mosque.
In any case, this is of those instances where the concept of a piece is far more satisfying and interesting than its execution.
Joe's been working on securing funding and corporate sponsorship for his ambitious project, and as far I know, there's been little response from the corporations he's contacted. His Bridge Music project has been featured in news reports in several countries. If you haven't seen it, here is the feature the NYTimes did on the project, including video.
This project will be a technical and physical feat. Some 22 musicians will be positioned high and low on the bridge playing structure as an instrument in a live performance.
To sit down an speak with Joe is to understand that he is wildly passionate and committed to this project and he has done his homework. It's taken him years to get to this point, and this project has all of the markings of the signature event of this major historical anniversary. It seems to me that the cache of being linked with such a project during such a visible region-wide celebration would make a lot of sense in portraying the area as an enclave of creative, and innovative activity. Let's not forget the potentially marketable poetry that the image of a singing bridge and all of the metaphorical fodder that could be expoited by a progressive company. If a Verizon or a Central Hudson can't be bothered to be involved, I'd hope that an AT&T, TMobile, or some other communication or tech company from outside the area would sweep in and put their brand on this event pointing out that pioneering creative spirit knows no boundary.
But that's a separate matter. Here's Joe's email:
The Governor's office is reviewing budget 08-09 funding for among other things, the Hudson Quadricentnnial.
If you'd like to help, click
here http://220.127.116.11/govemail or http://www.ny.gov/governor/contact/index.html
to send him an e-mail, and an say that:
Please consider generous funding of the
Hudson-Fulton Quadricentennial. It would benefit NYS
economically by drawing thousands of tourism dollars. Millions have already seen the articles in NY Times, AP, Reuters, NPR, AOL, BBC, Japanese TV, etc. about Joseph Bertolozzi's "Bridge Music" a monumental artistic endeavor worthy of the Empire State that
celebrates the Mid Hudson Bridge, the Hudson River and the valley. Slated for 2009, Bridge Music is seeking official Quadricentennial endorsement and there would be a mutual benefit to the collaboration between Bridge Music and NYS.
You may cut and paste the above paragraph if you like or use your own words. I appreciate your consideration in helping to bring 'Bridge Music' to fruition.
My very best,