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Showing posts with label Spire Studios. Show all posts
Showing posts with label Spire Studios. Show all posts

Sunday, February 21, 2010

Stepping Out in Beacon NY on Feb 13, 2010

A few images from stepping out in Beacon on Feb 13, 2010.


Though unrelated, I'm sure, Will Walker's sculpture above at Van Brunt Gallery rhymes nicely with the
hues in the sunset I snapped through the window of Will's studio back in October.



David Rothenberg et fils creating layers of music, digital and live at bau.

Young love burgeoning at the Valentine's show at Spire Studios.

Tuesday, September 29, 2009

Beacon Open Studios weekend; some images


The Mill's movie set-like exterior.

The Beacon Open Studios was pretty colossal this weekend.  I was only able to make it to a portion of the spaces.  Here are a few images of what I saw.

 
Above and below:  Stephan Spaccarelli's space at the Mill.
 
 
Above, Greg Slick's studio and below, Sara Corson's  portrait setup, both at the Mill.
 

 
 Alice Vaughn's Hudson River Bindery workspace at Beacon Studios - which is a name I've given up using.  Bulldog is what spills from most folk's lips still.

 
 
Jean-Marc Superville Sovak's stack in the library gallery of the old high school
 
 

Kirsten Kucer's drawings.
 

 
Theresa Gooby's napkin installation above, and her plastic bag works below.
 
 
Thomas Huber's work above and below.
 

 
Richard Bruce's studio.

 
Virtually everywhere I went, I encountered this baby stroller woman, let's call her "Kathy Feighery" and her adorable daughter whom we'll simply refer to as "Tess".  I swear she was intentionally following me.  She did it so well that her arrival in a location actually preceeded mine...very clever.  There was an episode of South Park where Ginger kids (a term I had never heard) run amok, led by the character Cartman.  Obviously, I was starting to get nervous.


Elia Gurna's work in her studio.

 
Outside Stephen Dickens' and Marsha Aliaga's Dirt Floor Studio.
 
Marsha's stair installation above and some of Stephen's paintings below.
 
The next several images are from my own open studio:
 
Below, some of the goodies provided by the Funky Baker.  I'm really trying to pimp her stuff. MMm, its good. These marble topped brownies that a surprisingly rich, Rich cocoa flavor.
 

 
 My now-upstair-neighbor, Marc Schreibman's photos on the front of the house.



 Above:  Elia Gurna's installation on our porch.  Below:  Inside the kitchen, Peter Iannarelli's work appropriated from byproducts of my studio labors.
 

 
 Stephen Dickens and friends krafting sound at the BOS after party at Spire Studios.

 
 Indeed.

Kudos to Theresa Gooby in pulling this off, with the assisstance of BACA, and other helpers.  My impression is that it was very successful over all.  Saturday seemed awash with visitors and Sunday featured a steady stream of people despite the threatening rain. 
A survey is being prepared to collect the feedback from artists which will shape the event next year.  And indeed, there will be an event next year, Theresa's already laying out her approach.
If anyone has any thoughts, any input from the weekend and what they saw, throw down some comments here.
I now have many more artist links to add to the sidebar.

Monday, June 22, 2009

Images from June 13, 2009

The scene outside of the open house at Metal Concepts.
Grace Knowlton's big metal balls @ Metal Concepts.

On June 13, I returned to Beacon from the opening up at SUNY New Paltz.  First stop was the open house at Hermann Roggeman's Metal Concepts.  I then went went over - very briefly - Go North for Jaanika Peerna's opening.  The gallery was majorly packed, hot and stuffy, so I stepped in, snapped a couple quick shots and headed outside.  I'll return to check out the show in the next week or two.
Wall installation of Jaanika Peerna at Go North.
  
He's not part of the exhibition.
Gallery G as Ewok village.

From Go North, where I met up with my BLP (Bavarian Life Partner), we went over to Gallery G to explore the limitless pull of parental devotion.  Jesse Lebwohl-Steiner's proposal to his mom must have sounded like this: "OK Mom, I'm going to videotape myself shaving off all the hair on my body, then I want you to bathe me in milk, after you've massaged some egg yolks, and someone is going to videotape the whole thing." Such is the basis of Milk Bath, a work that invokes the Pieta while exploring the relationship between parent and child and the symbolic life of food.   The second video, Watermelon, again utilizes the physical character of a food to stand in for an emotional state and to illustrate that human compulsions and over indulgences are universal; the object toward which those excesses are directed is of marginal import.   Jesse is a foodie, and to see that food is such a central component of these two works is no surprise, nor is it the result of an unexplored choice of a prop. 
Jesse Lebwohl-Steiner x2 at Gallery G.
Watermelon Love.
An array of Jesse's polaroids in the exhibit Reflections and Cycles.
Above and below:  Collage, inside and outside of Open Space.

We then ducked in to Open Space briefly...here too, I didn't get to see the show, but did enjoy a rousing conversation on successful and insufferable artists as employers.
Some works inside the gallery at Spire.
The view outside the Pack and Paddle cum gallery space.
The next several images depict the exhibit of paintings by Todd Sargood and sculptures by Christopher Manning. in the former Pack and Paddle store.  The space is reminiscent of the old Collaborative Concepts space...but more raw.  It'd be a great space for ongoing exhibits.  It's for rent....$1800/month for somewhere between 2-3000 sq ft.