Maykr is an archive of blog posts from 2005-2010.
Gallery and Artist links are being maintained, but current bloggin' is happening at chrisalbert.blogspot.com

Sunday, June 13, 2010

Meet yer Maykr: Lauri Lynnxe Murphy

Lauri Lynnxe Murphy has been a staple in the Denver art scene for some twenty years.  She's had her finger as a member/and or founder of a number of artist initiate groups and venues throughout the city.  Lauri is preparing for a change as she is shipping of to Ohio later in the year to embark on the MFA adventure.  In preparation for this pending event, LLM is holding an all out clearing sale this weekend in the wonder emporium she calls a studio.While in Denver last November, I stopped into the Curtis Park garage to pick up her kork advent contribution (Dec 3.) (Previously, in July of last year, LLM cultivated a heretofore unknown life form on the board of
Below are images from my brief studio visit:





 The space is pretty enormous, and although it has been shared among (three people, I think) there's no doubt that LLM's projects take up the bulk of the space.  The density of materiel and the breadth of projects made this joint feel particularly homey for me.






























I likes me that herringbone pattern - in whatever form it takes.

I think this is when, overwhelmed, I started getting dizzy.

Several days prior to my studio visit,  LLM had an opening at Plastic Chapel which I was able to take in, accompanied, by chance, by fellow Beacon (and kork) artist, Elia Gurna.  The exhibit consisted of a menage of wall mounted roccoco wormlike tubers that had a very rococco quality.











On Colfax, a walking version of an LLM work in the micro blizzard that greeted us on leaving the show.

Lauri is currently organizing and curating the exhibit Objectophilia which is opening on June 30, 2010 and is part of the Biennial of the Americas being held in Denver during the month of July.

Tuesday, May 11, 2010

Calls for Artists: The Big Draw + WOMS 2010



First, The Big Draw: a fundraising drawing extravaganza for the Beacon Open Studios 2010.  The Big Draw will be a drawing marathon, party and live auction.  A handful of exquisite corpse drawings created by notable Beaconites will be auctioned off and a broad wide selection of 6"x8" 2D works will be available for $40 each.  Artists will be on hand drawing throughout the evening.
Deadline for submitting 6"x8" works for thee event is May 23.  Artists whose 6x8's are sold will  receive 50% ($20) of the purchase price.
Artists will also be on hand creating drawings throughout the evening.  If you are interested in drawing during the event, or submitting a piece, check out the submission info & form  
This event is not restricted to Beacon artists.  Anyone from anywhere are invited to submit work.

Remember, Beacon Open Studios is taking place on Sept. 25 & 26.  Artists interested in participating can sign up for the low low price of $20 until June 5th at which point the fee will rise.
I can tell you that both members of the maykr household will be participating this year...since one of us will have just finished her MFA, and last year's installment was so successful.

Next, Windows on Main St is coming back for its sixth year.



Deadline for project proposal submissions is July 1.  As I understand it Ty Marshal has handed over his share of the reigns to Katy Peace, but  Melissa Tatge is still involved in the inner workings.  The exhibit will be taking place from August 14 to September 11.

Friday, May 07, 2010

Creative Process Dialogue at the Beacon Institute, April 8, 4pm.

I'll be moderating a talk with artists Erica Hauser and Ian Wickstead tomorrow at 4pm at the Beacon Institute for Rivers and Estuaries.  The talk is part of a series accompanying the exhibit curated by Linda Stewart, Water, Water, Everywhere
The Beacon Institute is located at 199 Main St in Beacon.  The next Creative Process Dialogue is scheduled for Sept 18 featuring Peter Brauch & Shawn Snow and will be moderated by Carl Van Brunt.

Saturday, May 01, 2010

As the kork turns...

There are yet a few moments left this weekend to engage in a bit of remote viewing of Matthew Hereford's kork project, Highland Path, while it is still on the wall in Poughkeepsie.

Up next on kork:   Unfolding the mind of Robert Lomblad.

Friday, April 23, 2010

Eye Candy Friday: It takes two, baby.

It's been a long while since I posted an ECF post, but this Vernissage TV vid of the opening of this John Wood and Paul Harrison exhibit at Von Bartha Garage in Basel CH tickled me, so rejoice and have a good weekend.

Sunday, April 18, 2010

Remarks by Ron Haviv on Haiti Jan 12, 2010 at Fovea via Adrian Eisenhower

Adrian Eisenhower's short video about Fovea includes a few moments of Ron Haviv's remarks from April 10, 2010 on his experience in Haiti immediately following the earthquake in January. Haviv's Haiti photographs will be on view at Fovea through June 10, 2010.  A limited edition book/box of 16 photos of photos by Haviv has been created to raise funds for relief efforts.


This video, other short documentaries and other projects can be found at Adrian's blog On People, places and process.

Friday, April 09, 2010

The non-archival orifice: panel discussion on Carolee Schneemann, Apr 10, 2010 2-4pm

On a trip to LA back in 2007, we visited took in the Whack! Art and the Feminist Revolution exhibit at MOCA.  I regret not having seen the exhibit when it later traveled to PS1 because my impression of the installation in LA was of an un-congealed mess and I may have had an improved perception of it in another venue.  There was a lot of great work by a range of notable artists which suffered by the wholesale lumping together of it with less successful work, all in the broader interest and exhibit.  Certainly, the purpose of the exhibit was to chronicle of the development of the Feminist movement through works of the time; perhaps more appropriate fodder for a book than an exhibit.  Nontheless, walking through the exhibit was an experience; one that was oddly like that of  visiting the Vietnam Memorial in DC.   Along with us in the galleries were visitors - obvious veterans of the time- walking through the exhibit with the air of making a pilgrimage to remember their comrades and their own experiences from the time of this struggle.  Although I found the exhibit overly nostalgic, I appreciated the programming choice in pairing Whack! with Andrea Zittel: Critical Space, and a MoCA organized exhibit of pre-fab housing at the Pacific Design Center called Some Assembly Required.  The web of domesticity/gender roles/lifemaking issues that ran through the three exhibits was broad, brilliant stroke -BTW, the Zittel show was majorly engrossing.
The one moment that highlighted my experience in Whack! which will stay with me forever is beholding the actual scroll that Carolee Schneemann used in her piece Interior Scroll from 1975.  I have often seen photos documenting the performance piece in which the nude artist reads from a long thin scroll of paper that she pulls from her hoohaa,  but was the first time I had privilege of seeing (and even pondering) this piece of ephemera.  It was impressive.
Narrow, yellowed and brittle looking and, if my recollection serves, with bits of clear tape to join pieces of paper to achieve the length of three to four feet; I was stunned by the decrepit nature of the artifact.  I don't know how long it rested up there inside her body, but the condition of this scroll immediately brought to mind the Dead Sea Scrolls - and they sat in their respective caves for nearly 2000 years and don't look much worse for wear than this holy relic from the 70's, which reveals much about the climatic differences between the vagina and the Dead Sea region.

Carolee Schneeman and her work, which is the subject of a survey exhibition entitled Carolee Schneemann: Within and Beyond the Premises at the Samuel Dorsky Museum in New Paltz, NY will also be the subject of a panel discussion tomorrow afternoon from 2 to 4 pm at the Rosendale Theater in Rosendale NY (408 Main St.)  The panel, which has been organized in connection with the exhibit will be populated by:  Emily Caigan (SUNY New Paltz Women's Studies), Maura Reilly (American Federation of Arts), Brian Wallace (Dorsky Museum), Linda Weintraub (independant scholar), Kenneth White (Stanford University) and moderator Patricia Phillips (RISD).
A screening of select film and video works by the artist will follow the discussion at 5 pm.  Admission is $6, $4 for students.  Call 845.658.8989 for more info.